Saturday, March 15, 2008

Benny`s Video.


Benny`s Video.

Benny's Video is a 1992 horror-of-personality film directed by the Austrian Michael Haneke. The plot of the film centers on Benny a teenager who views much of his life as distilled through video images, and his well-to-do parents who enable Benny's focus on video cameras and images.


The film opens with a home video of the slaughter of a pig on a European farm. The man uses an air gun and shoots through the pig`s brain, a scene which would upset any PETA REP

The video than rewinds to play the slaughter in slow motion, which emphasizes the hand-held barrel against the pig's foreskull

Maverick Austrian filmmaker Michael Haneke loves rewinds. His recent Hidden (2005) begins in a similar way, while his Funny Games (1997), uses a clever rewing scene as well

These scenes of rewinding serve to take the viewer out of the moment, to remind us that we are viewers, to detach us from our involvement in the unfolding story, to position us as consumers of video

The film than goes to introduce the main character a teenage boy named Benny

While his parents are away for the weekend, Benny invites a girl he has seen outside the local video store to his home. He shows her the video of the pig slaughter, and they talk about the film leading to Benny showing her the slaughtering gun and holding it up to his chest. All the while his home video is video taping everything live.

Something goes terrible wrong - Should I stop there? No!

Looking through the contents of a girl's bag, Benny finds a wooden ball which opens like a Russian doll to reveal another ball, and another, until eventually there is nothing there at all

Benny has just videotaped himself murdering the bag's owner. What comes later is more shocking when his parents discover what happened and try to cover it up

A MUST SEE!

The film's structure is at first a string of seemingly unconnected episodes, which gradually blend to center on Benny and his fascination for video and televised images.

In a brief DVD feature interview with writer/director Michael Haneke, he makes a few interesting remarks about guilt as a motivator, though the characters in Benny's Video don't seem terribly burdened by that emotion. The closest he comes to explaining the film is to say that he is fascinated by stories of people who do violent things, but can't explain why they did them. Guilt and violence are also factors in Haneke's Caché, but they're approached in that film with a good deal more subtlety and suspense.



Wednesday, March 12, 2008

Ben Chapman: 1928-2008 (Creature from the Black Lagoon)

Although you probably wouldn’t recognise his face, but Ben Chapman was one of the enduring icons of cinema. He died this month at age 79 but we remember him here because when he was 25 he played The Gill Man, the strange amphibian protagonist of Creature from the Black Lagoon.

To be accurate, he was one of two actors who portrayed the creature: Ricou Browning was responsible for most of the underwater scenes but it is Chapman’s imposing 6’5” frame that fans remember as the misunderstood monster.

The Creature from the Black Lagoon spawned a couple of lesser sequels, but its impressive creature design ensured it a cultural longevity that outstripped most other sci-fi flicks of the era. It’s remembered even in serious scientific circles: When Jenny Clack of Cambridge university discovered a hitherto unseen fossil amphibian in 1998, she named it Eucritta melanolimnetes, Greek for “the creature from the black lagoon.”

Ben Chapman was a regular on the movie fan convention circuit, and though he had many other achievements to his name, including a distinguished Korean War record, he will always be remembered as the guy who was The Creature from the Black Lagoon.

Listen to Episode 17 -Rocket Science as we discuss the top 5 sea creatures in film including the legendary Creature from the Black Lagoon.

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Click here to go to the show page!

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2008 Oscars!

Best Motion Picture of the Year

Winner: No Country for Old Men (2007) - Ethan Coen, Joel Coen, Scott Rudin

Best Achievement in Directing

Winner: Ethan Coen, Joel Coen for No Country for Old Men (2007)

Best Performance by an Actor in a Leading Role

Winner: Daniel Day-Lewis for There Will Be Blood (2007)

Best Writing, Screenplay Written Directly for the Screen

Winner: Juno (2007) - Diablo Cody

Best Documentary, Features

Winner: Taxi to the Dark Side (2007) - Alex Gibney, Eva Orner

Best Documentary, Short Subjects

Winner: Freeheld (2007) - Cynthia Wade, Vanessa Roth

Best Achievement in Music Written for Motion Pictures, Original Score

Winner: Atonement (2007) - Dario Marianelli

Best Achievement in Cinematography

Winner: There Will Be Blood (2007) - Robert Elswit

Best Achievement in Music Written for Motion Pictures, Original Song

Winner: Once (2006) - Glen Hansard, Markéta Irglová(“Falling Slowly” )

Best Foreign Language Film of the Year

Winner: Fälscher, Die (2007)(Austria)

Best Achievement in Editing

Winner: The Bourne Ultimatum (2007) - Christopher Rouse

Best Performance by an Actress in a Leading Role

Winner: Marion Cotillard for Môme, La (2007)

Best Achievement in Sound

Winner: The Bourne Ultimatum (2007) - Scott Millan, David Parker, Kirk Francis

Best Achievement in Sound Editing

Winner: The Bourne Ultimatum (2007) - Karen M. Baker, Per Hallberg

Best Writing, Screenplay Based on Material Previously Produced or Published

Winner: No Country for Old Men (2007) - Joel Coen, Ethan Coen

Best Performance by an Actress in a Supporting Role

Winner: Tilda Swinton for Michael Clayton (2007)

Best Short Film, Animated

Winner: Peter & the Wolf (2006) - Suzie Templeton, Hugh Welchman

Best Short Film, Live Action

Winner: Mozart des pickpockets, Le (2006) - Philippe Pollet-Villard

Best Performance by an Actor in a Supporting Role

Winner: Javier Bardem for No Country for Old Men (2007)

Best Achievement in Art Direction

Winner: Sweeney Todd: The Demon Barber of Fleet Street (2007) - Dante Ferretti, Francesca Lo Schiavo

Best Achievement in Visual Effects

Winner: The Golden Compass (2007) - Michael L. Fink, Bill Westenhofer, Ben Morris, Trevor Wood

Best Achievement in Makeup

Winner: Môme, La (2007) - Didier Lavergne, Jan Archibald

Best Animated Feature Film of the Year

Winner: Ratatouille (2007) - Brad Bird

Best Achievement in Costume Design

Winner: Elizabeth: The Golden Age (2007) - Alexandra Byrne

2008 Spirit Award Wiiners!

Best Feature: “Juno,” Lianne Halfon, John Malkovich, Mason Novick, Russell Smith (producers)

Best First Feature: “The Lookout,” Scott Frank (director); Roger Birnbaum, Gary Barber, Laurence Mark, Walter F. Parkes (producers)

Best Director: Julian Schnabel, “The Diving Bell and The Butterfly”

John Cassavetes Award: “August Evening,” Chris Eska (writer/director); Connie Hill (I) (producer); Jason Wehling (producer)

Best Female: Ellen Page, “Juno”

Best Male: Philip Seymour Hoffman, “The Savages”

Best Supporting Female: Cate Blanchett, “I’m Not There”

Best Supporting Male: Chiwetel Ejiofor, “Talk to Her”

Best Screenplay: Tamara Jenkins, “The Savages”

Best First Screenplay: Diablo Cody, “Juno”

Best Cinematography: Janusz Kaminski, “The Diving Bell and the Butterfly”

Best Documentary: “Crazy Love,” dir: Dan Klores

Best Foreign Film: “Once,” dir: John Carney

Robert Altman Award: “I’m Not There,” Todd Haynes (director); Laura Rosenthal (casting director); Cate Blanchett; Christian Bale; Richard Gere; Heath Ledger; Ben Whishaw; Marcus Carl Franklin; Charlotte Gainsbourg; Bruce Greenwood

Truer Than Fiction Award: “The Unforeseen,” Laura Dunn

Producers Award: Neil Kopp, “Paranoid Park,” “Old Joy”

Someone to Watch Award: Ramin Bahrani, “Chop Shop”

The Bat Cave Living Room

Batcave

Naked Lunch Movie Awards 2007

The Naked Lunch Movie Awards ‘2007

Best Motion Picture of the Year

There Will Be Blood

Best Director

Paul Thomas Anderson

Best Canadian Film Maker



David Cronenberg

Best Cinematographer

Roger Deakins (Assassination of Jesse James by the Coward Robert Ford – No Country for Old Men – Valley of Elah)

Best Canadian Film

Fido

Best Foreign Language film

Taxidermia

Best French Film

The Diving Bell & The Butterfly

Best Independent Film

I’m Not There

Best Actor (overall yearly performances ) TIE!

Josh Brolin – No Country For Old Men – Planet Terror – American Gangster

Phillip Seymour Hoffman – The Savages – Before The Devil Knows your Dead – Charlie Rose’s War –

Best Actress (overall yearly performances)

Cate Blanchett – I’m Not There – Elizabeth

Best Actor

Daniel Day Lewis – (There Will Be Blood)

Best Actress

Ellen Page – (Juno)

Best Original Score

(Jonny Greenwood) There Will Be Blood

Best Original Song

When your Mind’s made Up – Glen Hansard (Once)

Best Soundtrack

Black Snake Moan

Best Original Screenplay

Diablo Colby – Juno

Best Adapted Screenplay

Joel Coen – Ethan Coen Brothers – No Country for Old Men

Best Breakthrough performance into Motion Picture

Michael Cera – Superbad – Juno

Best Action / Adventure film

Deathproof

Best Action sequence

Car Chase (Deathproof)

Best Thriller

No Country For Old Men

Best Western

3:10 To Yuma

Best Sci-Fi film

Sunshine

Best Musical

Once

Best Animated film

Persepolis

Best Documentary – TIE

The King Of Kong / Air Guitar Nation

Best Drama

There Will Be Blood

Best Horror film

Planet Terror

Best Comedy

Superbad


Scariest moment in film

The pharmacy scene in The Mist

Best Comedic Team

Cast of Superbad

Most Memorable Scene - TIE

4.5 minute tracking shot in Atonement

Oil Rig explosion in There Will Be Blood

Best sex nudity – TIE

Vigo Mortensen – Eastern Promises

Bart Simpson – The Simpsons

The Nude Dude – Walk Hard – The Dewey Cox Story

Best Villain

(Javier Bordem) Anton Chigurh – No Country for Old Men

Best Hero / Heroine

(Rose McGowan) Cherry Darling – Planet Terror


Best DVD Release

The Killer Of Sheep

Best first time Director

Scott Frank - The Lookout

Diary of The Dead


A reboot of sorts for George A. Romero’s ongoing Dead series, Diary of the Dead transpires on the first night of the zombie uprising and follows a group of college students as they attempt to make their way back to their respective homes. One such character (Joshua Close’s Jason) is trying to document the crisis with his camera for posterity, and the movie subsequently takes place almost entirely through his eyes. It’s an interesting gimmick that doesn’t always work, particularly as Jason elects to film the carnage rather than help his friends. Far more problematic, however, is the almost total lack of interesting or compelling characters; while Romero has effectively managed to avoid transforming these people into horror-movie stereotypes, the filmmaker instead offers up a series of uniformly underdeveloped and flat-out uninteresting figures that aren’t sympathetic in the slightest. It’s consequently difficult to care about their survival, and the movie undoubtedly suffers because of it. That being said, Romero has certainly peppered Diary of the Dead with a number of expectedly suspenseful and downright engrossing moments - with the highlight undoubtedly a short-lived appearance by a tough-as-nails Amish guy (who also happens to be deaf!) And while the film is ultimately a far cry from the first three installments in the series, it’s hard to imagine Romero’s die-hard fans walking away from Diary of the Dead flat-out disappointed.

Hidden Gems - Pink Flamingos

Pink Flamingos

A demented 70`s comedy that defecates on everything the

’60s stood for, and then allows the drag queen in the lead

to eat in, right on camera.

Hidden Gems - Hey Goodlookin`


Hey Good Lookin’

Directed by Ralph Bakshi

Ralph Bakshi, creator of “Fritz the Cat” and “Heavy Traffic” brings you the outrageous ’50s the way they really were.

A middle-aged woman meets a strange man on the streets at night who shows her the remains of a leather jacket. He takes her back to Brooklyn of 1953, and tells her about Vinnie, his gang, the Stompers, his girl Roz, his friend Crazy Shapiro, and the all-out rumble with the black rival gang, the Chaplins


Hidden Gems - Big Bird Cage

The Big Bird Cage


Directed by Jack Hill

The sequel to Big Doll House

THE BIG BIRD CAGE was a semi-sequel to DOLL HOUSE. It featured Pam Grier and Sid Haig, and was written and directed by Jack Hill, but the similarities really end there. This time around, Grier and Haig are mercenary lovers who kidnap sultry Terry (the underrated Anitra Ford) during a nightclub hold-up. Upon their capture, Terry is mistaken for a member of the gang and is thrown into an exotic jungle prison without trial! Once again, the audience is provided with an ensemble cast of exploitation greats: Carol Speed is the spunky black hooker inmate, Candice Roman is Carla the blonde nymphomaniac, Teda Bracci is the loud-mouthed comic relief, Karen McKevic is the threatening lesbian, and Marissa Delgado is the fragile, borderline-insane inmate. Follow Ford as she witnesses “bodies broken” in the Bird Cage, parties where inmates are forced to sleep with government officials, and is hung by her hair for a day for attempting to escape! To make matters worse, all the guards (including Filipino exploitation veteran Vic Diaz) are gay! Good Lord!! Enter Grier, 50 minutes into the film, who takes charge over her fellow inmates. Haig infiltrates the prison by feigning interest in Diaz, and we’re on our way to another violent climax that leaves everyone biting the dust and the audience craving more, more, more!! You know a movie is good when it leaves you so excited and energetic that you want to watch the movie all over again, so do yourself a favor: watch the movie all over again!

Hidden Gems - The Pit Stop


Pit Stop

Directed by Jack Hill

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5 reasons to watch it!

1- From Jack Hill the Director of Foxy Brown and Coffy. This film features both Ellyn Burstyn & Sid Haig

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2- Using acid rock’s version of jazzy be-bop, Hill uses the soundtrack to affectionately capture a tone of rebellion throughout film – reminiscent of drag racers’ rebellion during the 1950s. The racing is fast and exciting and with lines like “if you haven’t learned how to play a harp, you better stay away from that wall,” how can you not help but enjoy this little pleasure?

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3-The black and white photography is excellent, there is a long, almost dreamlike sequence of dragster cars making artful figures in the sand dunes.

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4-The soundtrack is fantastic and a good early example of heavy rock music. This is an artful portrait of American provincial youth just before the hippy movement started.

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5-The race track is shaped like a figure eight which guarantees tons of car wrecks!


Hidden Gems - The Killer of Sheep


The Killer of Sheep

Directed by Charles Burnett

5 reasons to watch it!

1- A gritty, grainy slice of everyday. This film is like a time capsule that perfectly captures the details of ordinary life. Yet don’t think that the film feels dated. Thirty years may have passed but much of what Burnett has to say about the African American experience in America still holds true. What he saw and recorded with such clear-eyed honesty back in the 70s remains fresh, vibrant and provocative today.

2- Yet even without theatrical distribution, Killer of Sheep received the honor of being placed in the prestigious National Film Registry in 1990 by the Library of Congress.

3- This is an art film, a realistic-yet-poetic examination of a time and place and the people stuck there.

4- Charles Burnett’s timeless and poetic Killer of Sheep is one of those ‘found’ films that never should have been lost in the first place

5- “Killer of Sheep” has often been compared to the classics of Italian neo-realism, a comparison born out in the documentary like authenticity of its milieu.


Hidden Gems - Taxidermia


Taxidermia

Directed by Gyrogi Palfi

5 reasons to watch it!

1- Graphic, bizarre, absurdly funny, and yet graced with a strangely human heart.

2- Taxidermia will challenge, infuriate, entertain, and send you away question the largest questions of life. It is a vicious satire of Hungary’s recent history that also finds universal themes and couches them in a language so strange, so visually arresting that it simply cannot be ignored.

3- With only two films into his career, Pálfi has very clearly established himself as a true auteur, and the possessor of one of the most unique cinematic voices in the world.

4- One of the few films financed by Sundance and worth every penny.

5- Stunning cinematography, chilling score by Amon Tobin and superb acting.


Hidden Gems - The Host


The Host

Directed by Joon H-Bong

5 Reason to watch it!

1- Like a mutant hybrid spawned from the improbable union of Little Miss Sunshine and Godzilla.

2- A monster movie for those who like a little meat on the genre’s bones.

3- Like a delightfully unhinged version of a 1960s Japanese monster movie, this Korean thriller piles on character detail, political comment and comedy asides.

4- A well-calibrated mix of suspense, comedy and political satire.

5- A sneaky, spellbinding celebration of what movies are supposed to be all about.


Hidden Gems - The King of Kong - A Fistfull of Quarters

King of Kong: A Fistful of Quarters

Christians have Jesus Christ, Islam has Allah and classic video gamers have Billy Mitchell. The man who held the Donkey Kong record for almost twenty five years is the subject of a documentary in which an unknown newcomer in the classic gaming circle, Steve Wiebe, poses a serious threat to Mitchell's ancient record and the subsequent mind games that ensues between both men.

Mitchell is a character unlike any other. Not only does he compare himself to the Red Baron, the most prolific World War II fighter pilot, he also models his life around the idea that he is leaps and bounds ahead of the pack when it comes to classic gaming. Although the community is so small and otherwise insignificant, he revels in the fact that he sits atop a virtual throne and praised by his followers. He exudes a level of confidence so unhealthy that it borders megalomania. His ties are decked in American colors and his trophy wife follows him around with a fake smile of epic proportions. Mitchell's public appearances are carefully choreographed and his constant smugness makes it easy to dislike him as a person. In his mind, he is truly the greatest classic gamer ever, although many of his records have been broken since the 80s.

That leads us to his competitor, Steve Wiebe. When he proclaims to having a new Donkey Kong record, the married father of two from Washington State quickly becomes thrust into the gaming limelight as he does his best to withstand the onslaught from the myriad of Mitchell disciples wishing to see him fail. Wiebe is Mitchell's anti-thesis: timid and soft-spoken, unaccomplished and unstylish. Although he has always been talented at several things, he was never able to overcome his greatest nemesis, himself. Too afraid to stand up to others and often failing at the most critical moments in his life. A self-taught Donkey Kong expert, he manages to beat Mitchell's long-standing record of 874,000 and is soon recognized as the all-time best. It's around this time that his rivalry against Mitchell goes into fifth gear.

Without giving away too much of the movie, it's a fascinating portrayal of the lengths at which some people will go to defend what is theirs. It also exposes the other major players in this scene, people such as Walter Day and Robert Mruczek, founder and head referee respectively of Twin Galaxies, the only ‘official' score keepers of classic gaming. These people would appear demented by the untrained eye, but they just live for their passion. Day refers to gamers as superstars and often speaks extremely highly of Mitchell, a regular occurrence in the documentary. Brian Kuh, another disciple, is sent to Wiebe's house on one occasion to ‘investigate' his Donkey Kong machine in the hopes of finding incriminating evidence that would discredit the record he had set on it. The movie probes even further into the compulsivity that most gamers have: a lot of them will stoop to sabotage and deceitful behavior to put someone off their game. I guess that only goes to show how important this is to them.

The most frustrating element of the movie lies in the fact that Mitchell repeatedly refuses to accept Wiebe's challenges, wherever they are. The aura of mystery that surrounds him is astonishing, considering that he is a staunch advocate of playing in front of an audience to have a gaming record validated. At one point a competition is held no more than ten miles away from Mitchell's home yet he declines to even appear. Mitchell might seem confident of his abilities on the outside, but that flair is overshadowed by his reluctance to meet or even play head to head against Wiebe, the only other player in the world capable of beating the record.

The movie does an excellent job of portraying the childishness exhibited by Mitchell and his followers. I laughed out loud when Kuh sneaks upstairs and calls Mitchell to update him on Wiebe's progress during a game. Mitchell, sitting comfortably in his living room looks completely unfazed, as if he were planning his next move at the very moment. Further more, the absurdities caught on tape are consistently topped by others: Walter Day referring to Mitchell as a Jedi, calling the gaming community ‘his child' or the obsession over reaching the mythical kill screen in Donkey Kong. So much importance is placed on these scores and results that it consequently traps these people in this surreal world that is restricted to other ‘mortals,' i.e. normal gamers. The doings of this tightly-knit community left me baffled by the end of my first viewing but as I watched more and more, I came to understand their motives. Why would people let something so trivial take over their entire lives, you might ask? It's an addiction I suppose and everyone has a different one.

The saga continues to this day, as the Donkey Kong record continues to be broken, almost on a yearly basis. At the end of the movie we're told that Wiebe had successfully taken over as the official record holder with a score of 1,047,000 points, but Mitchell allegedly took back his title on the 25th anniversary of his first record-setting day. The virtual war has just begun...

Myles Dolphin

Hidden Gems - Punch Drunk Love

Punch Drunk Love

Directed by Paul Thomas Anderson

5 reason to watch it

“Punch-Drunk Love” defies categorization. It’s an acquired taste;

1- An art house Adam Sandler film.” Not only is “Punch-Drunk Love” Sandler’s best work to date, it’s also Anderson’s.

2- A 1940’s-styled oddball-meets-girl Technicolor fantasy replete with kitschy silhouettes and all the musical dance numbers axed.

3- The cinematography, the soundtrack, the dialogue, plus all those weird, totally original things that only ever happen in “A P.T. Anderson Picture.”

A man not afraid to challenge, surprise, and excite us like this?

4- A romantic comedy for our times that is not afraid to challenge surprise and excite us.

5- Short and simple, it’s a knockout! Captivating and eclectic. A movie that deciphers it’s character’s souls while leaving layers of subliminal import to work their way into our consciousness over the days and weeks afterwards in beguiling ways. Everything in the film has a meaning!

Hidden Gems - Hard Eight


Hard Eight

Directed by Paul Thomas Anderson

5 reasons to watch it.

1- A 1996 film written and directed by Paul Thomas Anderson, starring Philip Baker Hall, John C. Reill, Gwyneth Paltrow and Samuel L. Jackson. Robert Ridgley, Phillip Seymour Hoffman and Melora Walters also appear.

2- The film originally titled Sydney was Anderson's first feature.

3- In many ways this film reminds me of Melville's film, Bob The Gambler as the odd pro with style and old world charm, Sydney, teaches the young gambler, John to make a living from gambling and how to do it smartly, with class.
4- "Hard Eight" is a talky movie, with great pacing. Anderson builds his characters well and the casting is perfect.

5- Hard Eight borrows from noir thrillers with some violence, gunplay and a few plot twists, but this is more of a character drama than anything else